MUSEUM GREEN LIGHT!

MUSEUM GREEN LIGHT!

SOCIETY NEWS: 3 NOVEMBER 2016

Museum Manager Suzanne Gibson, CHS President Clive Skarott, Hutchinson Builder Team Leader Paul De Jong and Cairns Mayor Bob Manning

COUNTDOWN TO THE CAIRNS MUSEUM

Three years after we closed the doors for the final time, building work is set to commence on the $1.6 million redevelopment of the Cairns Museum.

 

The renewed Museum will be the feature attraction of the renovated Cairns School of Arts. The Museum will contain four permanent and one temporary gallery, showcasing displays and storylines of the unqiue history of Cairns, created by a team of professional curators and designers, backed by local volunteers.

Getting up close and personal with a preserved saltie; learning about Cairns’ Traditional Owners; pilfering a tropical Christmas recipe; singing the warfies lament; having a yarn with a local guide and dreaming about fluorescent souvenir coral are just some of the things visitors might expect to do at the new Cairns Museum.

The countdown to the new Museum commenced this month with the Society announcing the contract for the construction of the Museum had been awarded to the Cairns office of Hutchinson Builders. The project is funded by the Cairns Regional Council.

Society President Clive Skarott says the signing of the contract is great news for Cairns.

“This signing will mean work is going to commence immediately on building displays for the refurbished Museum,” said Mr Skarott.

“The story of Cairns has been the missing piece of the Cairns cultural offering for the last three years and we are very excited to be once again sharing our story with locals, tourists and schools through the Cairns Museum,” he said.

The Cairns Historical Society will continue to operate the Museum and the Society’s Research Centre, including books, photographs, maps and journals will also be available to the public at the School of Arts.

See how the Cairns Post covered our announcement

 

2016 S.E. STEPHENS AWARD WINNER IS PAULINE O’KEEFFE

SE STEPHENS 2016 AWARD WINNER ANNOUNCED

SOCIETY NEWS: 23 SEPTEMBER 2016

PAULINE AND CLIVE

2016 S.E. STEPHENS AWARD WINNER IS PAULINE O’KEEFFE

 

The Cairns Historical Society is delighted to announce that Pauline O’Keeffe is the Society’s S.E. Stephens Award winner for 2016.

Society President Clive Skarott presented the award to Pauline at the Society’s AGM, after reading an exhausting account of Pauline’s work researching and presenting Far North Queensland history, with a recent focus on the history of WW1 in FNQ.

Attached below is the full nomination and list of Pauline’s accomplishments and we are confident all members will agree that she is a worthy winner.

The S.E. Stephens Award is an annual award offered by the Cairns Historical Society. It recognises a historian, writer or researcher who has made a significant contribution over a number of years to the research, collection and dissemination of Far North Queensland history.

The award is named after Stephen Ernest (Ernie) Stephens, a founder of the Cairns Historical Society and its first President, in 1958. S.E. (Ernie) Stephens was an avid local historian, naturalist and collector, as well as an advocate of local history and the importance of preserving and communicating it for future generations.

The award is open to anyone in Australia and can be awarded to an individual or a group. Nominations open in February and the winner is announced at the Society’s AGM. Nominees do not have to be members of the Society.

Those who know Pauline will know she is a woman of few words, but she did manage to thank the President and the Society for the honour. 

Congratulations Pauline!

WW1 LOCAL NURSE

NURSE MONICA O’CALLAGHAN

Pauline, manager of CHS imaging department has a particular interest in Far North Queensland during World War One.  She has written an article on local WW 1 nurse Monica O’Callaghan as a Guest blogger.

SPIRIT OF ANZAC

SPIRIT OF ANZAC

SOCIETY NEWS: 1 JULY 2016

1961 ANZAC PARADE DOWN GRAFTON STREET

CHS AND THE SPIRIT OF ANZAC

Cairns Historical Society is proud to be associated with Spirit of Anzac Centenary Experience travelling exhibition.

The exhibition will be in  Cairns at the Fred Moule Exhibition Centre, from the 14-20th August.

The Society is providing images and stories on local WW1 stories to complement the broader national and international ANZAC narratives.

Warning – this will book out quickly. Entry is free but bookings are essential.

STATE AWARD FOR CHS & CAIRNS MUSEUM

STATE AWARD FOR CHS & CAIRNS MUSEUM

SOCIETY NEWS: 15 JUNE 2016

2016 JOHN OXLEY LIBRARY COMMUNITY HERITAGE AWARD

 

The Cairns Historical Society has won the prestigious John Oxley Library Community History Award for 2016.

The award recognises excellence and innovation in the preservation, recording and sharing of Queensland history by community organisations. It is open to any community-based organisation in Queensland and it is the first time it has been awarded to a North Queensland organisation.

Judges noted that despite the closure of the Society’s premises, the Society had maintained its commitment to bringing the stories of Cairns and its region to life, through its Museum programs, Library and archive, photographic collection, Society publications and newly developed web portal.

The award is focussed on organisations that work effectively to communicate local history in a range of platforms and formats.

The judges also commended the support of Cairns Regional Council and the Society’s members in enabling the Society to grow and strengthen its role in caring for, and providing access to, significant resources and collections relevant to far north Queensland.

Society President Clive Skarott says the award as a recognition for the work of the Society’s volunteers over the organisation’s 60 years of history in Cairns.

Pauline O’Keeffe and Dr Dawn May travelled to Brisbane to accept the award on the Society’s behalf.

Ms O’Keeffe told the audience that the Society was built on solid foundations, with 60 years of volunteer physical and intellectual effort in collecting, conserving and presenting the history and heritage of Cairns and the region.

But she said the Society is also looking to the future

“We are now planning for the next era with the move back into the School of Arts building, a brand new museum and greatly improved facilities and premises, made possible by our partnership with Cairns Regional Council. Watch this space!”

The Society thanks the John Oxley Library for the honour of the 2016 award and for its recognition of the valuable contribution volunteer organisations make to the preservation of Queensland history and heritage.

Find out more about the JOL Awards here:

http://www.slq.qld.gov.au/whats-on/awards/qmawards/jchaward

LOCAL HISTORY TALKS IN APRIL

LOCAL HISTORY TALKS IN APRIL

SOCIETY NEWS: 23 MARCH 2016

YOU’RE INVITED TO THE SOCIETY’S APRIL LECTURE SERIES.

 

The Cairns Historical Society will be hosting it’s quarterly lecture series on Sunday 17th April from 2-4 pm in the Cairns City Library Meeting Room, in Abbott St. Entry is free and non-members are welcome to attend.

The series will have a medical theme, with Dr Graham Cossins presenting on general practice in Cairns in the second half of the 20th Century, Dr Nicky Horsfall speaking about her father’s experience as a Quarantine officer in the 1950s and Pauline O’Keeffe presenting on the involvement of Cairns’ nurses in WW1. Speakers will take questions from the floor.

Come along and hear a little of Cairns’ local history.

 

WOOPS – NO TROUSERS!

WOOPS – NO TROUSERS!

SOCIETY NEWS: 12 FEBRUARY 2016

Posted by: Museum Manager Suzanne Gibson

It is a great job being a museum curator, especially in a small museum like the Cairns Museum.

We live in a really interesting place environmentally, culturally and historically so there is no shortage of interesting people and projects to keep the museum team busy.

It is also the case that as the only paid staff member in a small museum with limited human resources, you can find yourself doing a wide range of tasks in any one day. Fitting them in can be a challenge.

The other day I made an appointment to visit the Iman of the Cairns Mosque, Abdul Aziz Mohammed. Abdul’s father was a pioneering cane grower who came to Cairns from the Punjab in 1900. The family maintained its Muslim faith and Abdul assumed the spiritual leadership of the Cairns Muslim community. After leading Friday prayers in a CWA hall for almost a decade, he opened the city’s first mosque in 1990, in a tiny Queenslander house.

Abdul has donated a musallah or prayer mat to the Cairns Museum. It’s an important object because for most of his life, Abdul had to carry a musallah and pray in public parks around Cairns if he was away from home at prayer time. The musallah also indicates where the Imam sits in the mosque when leading prayers.

This beautiful mat was given to Abdul by a Malaysian friend and Abdul identified it as appropriate for the museum. In fact he gave us the mat, in a pretty relaxed sort of North Queensland manner and in a similarly relaxed manner we took it. No paperwork, no photos. Thus my need to visit Abdul.

Abdul is happy to meet me at the mosque that afternoon, after Friday prayers. “Come between 2 and 2.15 pm” he says and I promise to be there then. He rings me back and tells me that my legs need to be covered. I tell him I will make sure I am dressed appropriately. He says a headscarf would be good but not essential as the mosque will be empty. I make a note to self – get home before 2 pm and change out of skirt and into trousers.

Somehow between meeting with the school trailer team, assessing a proposed donation, discussing a plan for cleaning all collection items for the Museum, reading the edited text for one of the new Cairns Museum galleries, briefing the Project Manager and working through IT problems with the IT guy, somehow it gets to be 1.55pm. I’m still in a skirt and I have about 15 minutes to get to Abdul. I have managed to charge the camera and have the donation form printed out – but the clothing is a problem.

Think. We’re a museum. We have a collection. Boxes and boxes of clothing. Run to clothing store and open the trunk with the uniforms. Delve through the army grey coat, the denim fireman’s jacket, the nurse’s cape and veil – pause slightly – could the nurse’s veil work as a head scarf? Naa – too weird. Past the Ansett cap and the navy kit bag. Then – gold! Railway uniform jacket and trousers. Gabardine, turquoise blue and about 5 sizes too big. This will do. Trousers under skirt, skirt tightened to hold up trousers, cuffs rolled up, bag under arm sprinting out the door.

The other great thing about working in a small museum is that you’re not far from most places. I am just 2 minutes late and Abdul is gracious about my lack of head scarf and bizarre outfit. He did grow up in Cairns, so I am sure there’s little that surprises him when it comes to women’s fashion. He fills out the donation form, spends time helping me understand the meaning of the musallah and poses for photographs. With his broad North Queensland drawl and dry sense of humour he is good company.

By 3.15 I am back in the office. I write myself a note to make sure I return the trousers to the collection and pack up the trunk neatly and not to tell anyone that the railway guard’s trousers have had an outing in Cairns in 2016.

You won’t tell will you?

SMALL OBJECT. BIG STORY.

SMALL OBJECT. BIG STORY.

SOCIETY NEWS: 3 JANUARY 2016

Posted by: Museum Manager, Suzanne Gibson

 

There are plenty of challenges in developing new exhibitions for the Cairns Museum.

It’s an amazing and wonderful task and we are all lucky to have the opportunity. But it is a project that also carries a sense of local responsibility and accountability. In telling the story of Cairns as a tropical city, we are very conscious of the many different versions of what really matters in the Cairns story. There are lots of perspectives on Cairns’ history and we can’t possibly capture them all.

Consequently we have endless debates and anxiety about what’s in and what’s out. About the stories we simply can’t fit or don’t have an object for or which fall outside our key themes and storylines. Or the important stories we can’t tell because there’s no relationship with a person or community to enable us to get the story right.

Then there’s the dilemma of the fantastic story and the underwhelming but very significant object. The real life tale of Dr Thomatis and Caravonica cotton is a case in point.

Dr David Thomatis came to Australia from Italy in 1875. He was a man with a scientific mind and an entrepreneurial spirit, who was soon lured to north by the potential of the tropics. He dreamed of European-style farming communities right across northern Australia, using its abundant water, sunshine and land.

In 1884 he took up 1000 acres near the Barron River in Cairns and began experimenting with silkworms, bananas, ginger, rice, cocoa, nutmeg, sugar and coffee. Around 1900 he tried cotton. In 1903 he bred a strain that he named Caravonica, after his home town in Italy. Caravonica cotton was robust and high yielding, and Dr Thomatis believed it could become the dominant cotton in the world and the economic driver for North Queensland.

He was almost right. For a time Caravonica did become a major cotton strain in colonial India, Africa and Latin America. But here, under the “White Australia” policies of 1901, the opportunity of Australia was reserved for the white man. Yet Dr Thomatis couldn’t get Europeans willing to grow cotton in the heat, humidity and isolation of the tropics. Defeated in his adopted country, in 1909 Dr Thomatis sold the rights to Caravonica and travelled the world helping other countries to grow his Australian strain of cotton.

Great story isn’t it? Did you know there was cotton grown in tropical Cairns?

The good news is that we have a really significant object to accompany this story. We have an actual cotton boll of Caravonica Cotton. The real thing. One of only two known samples in Australia, well provenanced and in good condition.

What’s the problem? Well maybe it’s me but …. how interesting is a boll of cotton to look at? What do you think?

Can a strong story carry an object that doesn’t have a lot of presence? Do we drop Dr Thomatis’ story in favour of one with a better looking or more intriguing object? What would you do?

What did we do? Well … come and visit the Cairns Museum in 2017 and find out!

SEEING THE COLLECTION

SEEING THE COLLECTION

SOCIETY NEWS: 1 DECEMBER 2015

Posted by: Museum Manager, Suzanne Gibson

 

In 2013 our incredible collections team packed up the entire Cairns Museum. Every object on display and all those in the collection store. In all the team wrapped, boxed, labelled and shifted over 5000 individual items to our temporary premises, awaiting the renovation of the Cairns School of Arts and our new gallery spaces.

We’ve kept everything in boxes since then. We don’t have room to unpack and we will have to shift them all back into the School of Arts before too long, so the less we unpack; the less we will have to repack.

Consequently, in reviewing and selecting objects for new displays in the Cairns Museum, our curators have really been guided by the catalogue and our collective knowledge of the collection. We’ve opened plenty of boxes but not all of them. There simply isn’t the time to randomly rifle through every box in the hope of finding something special.

As a result, large parts of the collection have receded from memory as we narrow our focus to objects that are going into new Cairns Museum exhibitions and ignore the ones that are not. This is especially the case for smaller objects. They’re still packed in their moving boxes. We work amongst them every day but have no visual reminder to trigger a memory or an idea. They’re sleepers.

But over the last 12 months one person has been quietly looking through pretty much every box. Druce is a photographer who comes every week and sets up his amazing camera gear – lights, lenses, camera – and patiently takes a pic or two of every object he encounters. As a volunteer.

When Druce came on board, we were hoping he could take a consistent reference image for each object. We had imagined it as a pretty functional sort of task, not as a particularly creative project. What we hadn’t grasped was how skilled he was, and how carefully he could light an object to capture its colour, materials and detail. By the time the curatorial team caught up with his work he had photographed a couple of hundred objects.

Suddenly, on screen, there were our forgotten objects. The small items that didn’t fit the storylines, the space or the focus of our new exhibitions. Things like the collection of Rotary dolls, the endless kitchen stuff, the medals and lights and handbags. All captured so beautifully that we were immediately reminded of the potential of every object to arouse our curiosity, tell a story or recall a place or a time.

Big nod to Druce.

The curators have now grabbed quite a few “forgotten” objects that they discovered through Druce’s wonderful photographs. We’re also thinking of wallpapering the entire Cairns Museum entry with them, accession numbers and all. It’s another way of sharing the collection and celebrating a great piece of work by a talented photographer who chose to donate his expertise to the Cairns Museum.

JEAN WARREN’S DOLL COLLECTION

A collection of 54 ‘International’ dolls’ belonging to the late Jean Merle Warren. The dolls were often used by Rotary/Inner Wheel at various functions. The dolls were purchased/obtained in the country of origin. Included is a South Vietnamese doll bought back for her by her brother William Roy Tutty who was in the R.A.A.F. The Museum Collection already includes Jean’s “Cairns Centenary” hostess gown.